COSMOS: Marcus DeSieno
Installation shot of the Tiny Gallery
“Man is equally incapable of seeing the nothingness from which he emerges and the infinity in which he is engulfed.” Pascal
From the infinitesimally small microscopic life to the near-infinite number of galaxies and stars, the incomprehensible size of the spectrum of the universe defies human logic and understanding. The term “cosmos” is defined as “the universe understood as an ordered system.” But how can we make sense of, and create a system of logic for, a field too vast for us to comprehend? This body of work probes the immense scale of the universe as the microscopic and macroscopic coalesce into an art object. Invisible microscopic bacteria are grown onto photographic film of appropriated images from the far reaches of outer space. The bacteria are swabbed from locations both ubiquitous and exotic, as I try to find a variety of microscopic life from the most unlikely places. A layer of chemistry is then applied to the surface of the photographic film to act as a breeding ground for the bacteria. As the bacteria grow and multiply, the interact with the film, altering it, stripping away color layers, and texture. I scan the bacteria-laden film in order to create the final prints and, in the process, kill this microscopic ecosystem. This whole series is a performative act of simultaneous creation and destruction, a notion tied to the very fabric of existence itself. One end of the cosmic spectrum devours the other. The real devours photographic representation. The nature of photography is called into question as the bacteria eats away the image into material abstraction, demolishing the pictorial, and freeing the photo-object from the burden of depiction. The conventional use of the photographic film is subverted and manipulated by the unforeseeable forces of nature as the work ultimately interrogates the material possibilities of photography. - Marcus DeSieno
